Antengo’s website was built to create a strong digital presence for a growing company that needed a modern, credible, and conversion-focused online experience. The objective was to clearly communicate Antengo’s services and value proposition while building trust with prospective clients through a polished, professional interface. I designed the site to feel approachable and contemporary, with a clear information hierarchy and intuitive user journey that supports both discovery and lead generation.

A 25-page white paper designed for First Light Technologies to support an international trade show launch.

The project focused on transforming dense, technical content into a clear, highly structured print experience within a tight page count and timeline.

With no print-quality imagery available, I used AI tools to upsize and refine FLT’s existing images and then developed a suite of custom vector infographics to to carry key concepts across each spread.

The final piece balances readability, hierarchy, and visual clarity, delivering a polished, print-ready publication under a tight deadline.

I designed a dedicated landing page on the Minute Media website to showcase STN’s OVP (Online Video Platform) offering. The brief was to clearly communicate STN’s value proposition while fitting seamlessly within the Minute Media brand and design system.

The challenge was to balance two identities: maintaining STN’s established brand presence while aligning with Minute Media’s modern, performance-driven aesthetic. The result is a cohesive, conversion-focused landing page that feels native to the Minute Media ecosystem while still clearly representing STN’s product and positioning.

Design Considerations

Brand Harmony: The page needed to feel unmistakably “Minute Media” while still preserving STN’s identity and authority

Product Clarity: OVP is a complex product, so the design needed to simplify and clearly communicate its value

Conversion Focus: The page had to function as a high-performing marketing asset, not just a brand showcase

Scalability: The layout needed to support future product updates and evolving messaging

Outcome

A high-impact, on-brand product landing page that positions STN’s OVP offering clearly and confidently within the Minute Media ecosystem — supporting both brand credibility and business growth.

Targeted at Makers, Rubble allows users to upload a picture and description of reusable materials. The app automatically geolocates and time stamps the find.

Users can also search for materials by category and area. When a user finds a post that they like on the app, they click the heart icon and the post is automatically uploaded to their ‘Favourites’ section. As the user approaches the area where the find is located, the app prompts them to verify whether they have taken all, part or none of the materials.

The Cottage Picnic and Play owners approached me to create a logo for their new restaurant.

The restaurant was designed to appeal to families. It has a backyard BBQ vibe with a large play area for kids. 

They wanted their logo to incorporate a minimalist, modern typeface with a graphic element which could be used independently of the rest of the logo. 

I created a tent graphic to represent the nostalgic feeling of camping in the backyard as a child and replaced the ampersand with BBQ utensils to speak to the theme of their food. The tent icon can easily be used independently and contrasts nicely with the clean, sharp, sans serif typeface used for lettering.

Christa from the Apple Box approached me to design a flyer to promote her shop's new $10 lunches. 

She wanted the flyer to have an old-timey diner feel to it while clearly and cleanly conveying information.

Because Christa had so much information she wanted to communicate on this one, small flyer, I decided to work with a sectioned-off layout style that would visually separate the info while providing a hierarchy that was easy to understand.

I was approached by Anna, the visionary behind the Concordia University's new Center for Creative Reuse, to design a logo for the initiative, which is part of the university's ongoing effort to become waste-free.

CUCCR is a new space at the university where excess materials are gathered, catalogued and then free for students to use. 

Anna wanted the logo to be circular and to speak to the interconnectedness of the materials, the students, the university and our ecosystem. She wanted it to have a hand-made, slightly messy feel and be easy to have made into a stamp for branding and promotion.

This is a holiday card I designed for Carbonleo. In previous years the company had sent out digital greetings but found that they weren't getting much positive feedback, so we decided to produce a physical card that year. The cards were printed on velvety-smooth, thick, black card stock that felt lovely to touch. Carbonleo's brand colours are yellow and black, so we decided to have them printed in gold foil to maintain their brand essence while giving it a festive spin.

My goal for this project was to create a card that was playful and referenced commercial development and construction. I wanted the card to be a multi-sensory experience; something that felt good to touch and was visually captivating.  

Pacific Organic Landscape Design owner Kara Wouters approached me to redesign the business’ pamphlet. She wanted something clean, modern and warm that would beautifully showcase her design work while appealing to a high-end demographic.

I decided to move away from the standard rectangular bi-fold shape she had been using in favour of a more modern square shape. This helped Pacific Organic's pamphlet stand out in a highly competitive market and also allowed me a wider canvas to display her work.

A few years ago I happened upon a bunch of beautiful old cameras at a flea market. I was drawn to their uniquely beautiful aesthetic; their black, white and grey coulour pallettes, their interesting shapes and how they had degraded with age.

Alongside the images I used texts from well-know philosopher Villem Flusser who speaks about how photography has fundamentally changed the way we experience the world.

This is a packaging and screen print project I made. It speaks about the ways in which society (explicitly and implicitly) teaches women that we must behave and present ourselves in order to be considered valuable.

It also aims to highlight how contradictory and arbitrary these fabricated expectations really are.

Each product in the "BE" line has instructions and ingredients.

All products are internationally manufactured by The Patriarchy Inc.

The box and all of the product labels were designed and then silkscreen printed by moi.

Vi is a translator who approached me to design her business card. She wanted the same info on each side: one side in French and one side in English. I played with contrasting colours and type-size to convey the duality inherent in her work, and coupled that with a clean, minimalist aesthetic.

Enkdanse dance studio hired me to design a series of landing pages for their new website. As the dance studio caters to a wide demographic, they needed something that would speak to different audiences.